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"I don't want to see her," is the unflinching and most ungracious reply.,

"He won't go into the stable to-night," says Mona, comfortably.,

The man cut the string that held the eyes, and his wife stood beside him.,

The next morning when the buffalo were led in, Kŭt-o-yĭs´ killed one, and they took the back fat and carried it to their lodge. Then Kŭt-o-yĭs´ said, "I think I will visit that snake person." He went over and went into the lodge, and there he saw many women that the snake person had taken to be his wives. The women were cooking some service berries. Kŭt-o-yĭs´ picked up the dish and ate the berries and threw the dish away. Then he went up to the big snake, who was lying there asleep, and pricked him with his knife, saying, "Here, get up; I have come to visit you. Let us smoke together."

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Mere beauty of form and feature will fade indeed, but Mona's beauty lies not altogether in nose or eyes or mouth, but rather in her soul, which compels her face to express its lightest meaning. It is in her expression, which varies with each passing thought, changing from "grave to gay, from lively to severe," as the soul within speaks to it, that her chief charm dwells. She is never quite the same for two minutes running,—which is the surest safeguard against satiety. And as her soul is pure and clean, and her face is truly the index to her mind, all it betrays but endears her to and makes richer him who reads it.,

"Yes, very glad," returns he, hardly knowing what he says. He has gone back again to his first thoughts,—his mother's boudoir, with its old china, and its choice water-colors that line the walls, and its delicate Italian statuettes. In his own home—which is situated about fourteen miles from the Towers, and which is rather out of repair through years of disuse—there are many rooms. He is busy now trying to remember them, and to decide which of them would look best decked out in crimson and gray, or blue and silver: he hardly knows which would suit her best. Perhaps, after all——,

"Not even to me?" with a sardonic laugh.,

"You are worn out, my love, my sweetheart," says Geoffrey, very tenderly, speaking to her as though she is in years the child that, in her soul, she truly is. "Come, Mona, you will not cry on this night of all others that has made me yours and you mine! If this thought made you as happy as it makes me, you could not cry. Now lift your head, and let me look at you. There! you have given yourself to me, darling, and there is a good life, I trust, before us; so let us dwell on that, and forget all minor evils. Together we can defy trouble!"